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Why Did We Call Ourselves Davenport Johnson?

7/30/2015

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There are actually many stories as to why we chose the name Davenport Johnson. And they're all true. Unfortunately I've told and heard them all enough times that I don't really remember which is the one that made the name stick, so I'll just tell the one that I like the best.

When my dad went overseas with the Air Force because of the Vietnam war, my mother, brother and I moved in with my grandparents, Pop Pop and Nana, for a year in St. Clair, Pa. It's a small coal town, one mile long and a half mile wide, that sits next to Pottsville, home of what's now the country's oldest brewery, Yuengling.


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Nana and Pop Pop had a modest collection of 78 rpm records and they let me play them to my heart's content in the basement on a old upright console. I'd sing along trying to mimic the different voices I heard, dancing around, having a blast. (They also subsidized my art addiction by letting me draw all over the walls down there too, but that's another story.)

I already had an interest in music, but my love of it kind of blossomed listening to that collection. Some of the songs were big band numbers, some were classic crooners, and some were downright corny, like The Hoosier Hot Shots performing "The Pants That My Pappy Gave To Me," about a pair of pants that lived through buckshot in the butt, numerous weddings and plenty more while they were being handed down through generations of males in a backwoods country family.


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Many of the songs wouldn't be PC today, like Arthur Godfrey's "Heap Big Smoke" about an Indian who talked a lot but never got anything done. "He's heap big smoke, but no fire…" It was from a different time for sure, even back when I heard first heard it. But it was catchy.

And more than a few of them would be non-PC because of their sexual innuendo which I, as a young boy, was completely oblivious to. I just liked the melodies, the rhymes, and the "feel" of them. I had no idea you could say something that would mean two things at the same time.


The one that really stuck with me was Bind Willie Jackson's "Sittin' On The Davenport."

Blind Willie Jackson was a country/blues singer who recorded in the 1930's. He worked mostly in the midwest and had a couple of songs that were considered regional hits, including this one. Although almost completely forgotten now, (I couldn't find a single image on-line anywhere!) Blind Willie was well known then for playing a guitar made by the Johnson Music Company in Chicago, IL, which is where the double meaning comes in.

I remember that he was pictured with it sitting on a porch on the sleeve of the record, because it was the only 78 in the entire collection that had a picture. The Johnson Music Company went out of business sometime in the late 40's, and although Johnson Guitars exists today, it's a completely different company.

Here's the refrain:

I'm, sittin' on the davenport playin' with my johnson
Ain't nothing' more that this poor boy can do
I'm, sittin' on the davenport just diddlin' my johnson
'Cuz you're gone and all I have are thoughts of you

And man could that guy diddle that guitar! The solo break in the middle was inspiring. When I got a little older and finally understood the other thing Willie was doing with his "johnson" on the davenport I realized why he may have been blind. (nyuk, nyuk, nyuk)

I still sing it around the house, much to my wife's chagrin! Anyway, when a band name was needed, "Davenport Johnson" was one of the first things that popped into my head.

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So one of the reasons we're Davenport Johnson is because of my Pop Pop's ribald sense of humor, which grew out of his interest in the "Burly-Q", slang for burlesque shows. Their mix of comedy and scandalous dancing, although tame by today's standards, were a big draw when he was growing up. To be fair, he also introduced me to The Three Stooges and Warner Brothers cartoons, so that sense of humor went well beyond the off-color joke. Luckily my wife likes both of those as much as I do so there's no chagrin-ing there.

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One day we might just do a cover version just for fun. It's probably more fun to hear than it is to read. ;-) And, hey, maybe down the road somewhere we'll toss out some of the other stories attached to the name, but for now, this'll do.

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Ukefarm Radio adds Davenport Johnson's "Moonstruck" to playlist!!!

7/5/2015

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Well, John  Baxter has gone and done it again! He's chosen yet another song, "Moonstruck," from our CD "Constellation" and put it into rotation over at Ukefarm Radio.

Wow John, we can't begin to show our appreciation for all the support you've been showing this album. So we'll just say thanks. THANKS!

While we really like "Moonstruck," heck it was a personal favorite of mine for a  long time... although I guess they all are at one point or another so maybe I'm not the best judge… we never expected it to be played on uke-centric radio stations.

You see, we love that classic acoustic sound everyone associates with the ukulele, but we don't feel the instrument has to be tied down to that sound exclusively… and… well… with that in mind "Moonstruck" features… an electric ukulele! Not an acoustic with a pick-up on it, but a full up, solid body, Electric Ukulele. Steel strings and all.

It's far from that classic acoustic sound, but it is indeed being played on a uke, and we believe that makes it uke music no matter what it sounds like. Having it played on Ukefarm Radio is validation that we're not the only ones who feel that way. Thanks again, John!

It's a beautiful little bugger of a ukulele by the way, a cherry-burst tenor LP from RISA in Germany. (Thanks Rigk!) It looks like a miniaturized Les Paul, hence the "LP." And depending on how you play it, and what you've got it plugged into, it can sound like anything from a slightly louder uke to a wailing 70's guitar. And lots of stuff in between. And it looks darn cute doing it.

While I do love strumming my acoustics, every once in a while I get the itch to plug in and let loose, and I since I don't pay guitar anymore, what else is a guy gonna do?  About half of our album "Constellation" features it in some way.
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Dave-id's cute little bugger, the RISA tenor LP.
If you haven't tried an electric ukulele I highly recommend you give it a shot. It's not about replacing that familiar heart warming sound, it's about adding another tonal possibility to your arsenal. Another way of expressing whatever it is your musical muse is whispering in your ear. And about rocking out! Or blues-ing out! Or jazzing out!

The song itself is something Timothy Jay and I have been goofing around with for many, many years. Starting way back before the uke-aholic days took over, when we both played guitars. It would go on forever as I improvised on top of TJ's ever tightening rhythm part.

In teaching it to Chris it solidified into a song rather than a nightlong jam. It has a definite beginning, build and end now, which is always a good thing for a song. ;-)  It really feels great to play it and a lot folks seem to feel it's a stand out track. Bluesy, but not really blues, electric, but not abrasive or harsh. Check it out on our home page and let us know what you think.

We're once again thrilled that John has offered us such a kind welcome over at Ukefarm Radio, it's a great place to hear music from ukers around the world, and also to be heard, and we're grateful for the opportunity.

Check out UkeFarm Radio with the handy button below:
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    This is mostly written by Dave-id, but Timothy Jay and Chris will chime in when they have something to say!

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